Napoleon I on his Imperial Throne - Revisited
by Serge Averbukh
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$1,500
Dimensions
48.000 x 72.000 inches
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Title
Napoleon I on his Imperial Throne - Revisited
Artist
Serge Averbukh
Medium
Digital Art - Digital Painting
Description
Introducing 'Napoleon Bonaparte' collection by Serge Averbukh, showcasing new media paintings associated with one of the most celebrated and controversial leaders in human history. Here you will find pieces featuring Napoleon I on his Imperial Throne - Revisited.
Napoléon Bonaparte (15 August 1769 – 5 May 1821) was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, and again briefly in 1815 (during the Hundred Days). Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, building a large empire that ruled over continental Europe before its final collapse in 1815. One of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleon's political and cultural legacy has endured as one of the most celebrated and controversial leaders in human history.
Jean-Auguste-Dominique Ingres (29 August 1780 – 14 January 1867) was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy.
Ingres was profoundly informed by past artistic traditions, and in his career assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style, exemplified by Eugène Delacroix. His expressive distortions of form and space make him an important precursor of modern art, whose work influenced Picasso and Matisse and other modernists.
In 1803 he received a prestigious commission, being one of five artists selected (along with Jean-Baptiste Greuze, Robert Lefèvre, Charles Meynier, and Marie-Guillemine Benoist) to paint full-length portraits of Napoleon Bonaparte as First Consul. These were to be distributed to the prefectural towns of Liège, Antwerp, Dunkerque, Brussels, and Ghent, all of which were newly ceded to France in the 1801 Treaty of Lunéville. Napoleon is not known to have granted the artists a sitting, and Ingres's meticulously painted portrait of Bonaparte, First Consul appears to be modelled on an image of Napoleon painted by Antoine-Jean Gros in 1802. Ingres painted a new portrait of Napoleon for presentation at the 1806 Salon, this one showing Napoleon on the Imperial Throne for his coronation. This painting was entirely different from his earlier portrait of Napoleon as First Consul; it concentrated almost entirely on the symbols of power and the lavish imperial costume that Napoleon had chosen to wear, and the symbols of power he held. The scepter of Charles V, the sword of Charlemagne the rich fabrics, furs and capes, crown of gold leaves, golden chains and emblems were all presented in extremely precise detail; the Emperor's face and hands were almost lost in the majestic costume.
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July 29th, 2017
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